Article written by Ian Higton G7RIS
Contesting or radio sport as its also known as, is quite like marmite, many people either love it or hate it. Here at the Burton on Trent club, we have a good number of members who take part in the Radio Society of Great Britain (RSGB) United Kingdom Activity Contests (UKAC). There are 5 different vhf/uhf bands that the UKAC contests are held on, 50Mhz, 70Mhz, 144Mhz, 432Mhz and 1.2 Ghz. Each band has one contest per month, held on a different Tuesday evening, except the 50Mhz contest which is held on the second Thursday of the month.
All these contests are held between 8pm and 10:30pm local time and the idea of the contests is to contact as many other stations as you can in the time allowed AND in as many different locator squares as possible. You don’t have to take part for the full amount of time, if you only have 20 minutes spare then that’s fine. In the UKAC’s you score 1 point per Km distance the station is you have contacted and a bonus 500 points if that station is in a new locator square. An example of scoring is you could talk to 50 stations that are 1Km away and get 50 points or you could speak to 1 station that is 52 Km away and score 52 Points……so as you can see tactics and different approaches can yield better or sometimes worse results than the month before. There is a standard format of information that has to be exchanged between the two stations and this is logged and electronically submitted after each contest for cross checking and scoring.
Once all the logs have been checked the contest results are issued. That’s the time when you can see how well you have done both compared to others taking part that month but also compare how you personally did compared to previous months. This is a really good way to tell if any modifications you have made to your station or style of operating has made an improvement in scores or increased the distance to your furthest contact
So back to the "Marmite" comparison, what draws people to contesting is usually the same thing that puts others off contesting, ......let me explain.
A large part of Amateur Radio is about self-training, technical experimentation, and communication. If you enjoy talking for hours about the weather or what you watched on tv last night, contesting probably isn’t probably for you. However, if you enjoy building new equipment, improving your aerials, maybe you're just mike shy (surprising how many amateurs don’t like talking much) or are just pleased to “work” someone further away than normal, then contesting might be just the thing for you. There’s very little chit chat between the stations as that takes up time you could be looking for the next contact to score more points
Radio bands are alive with stations during contests. People who don’t like contests complain about not being able to find a quite frequency to talk on…. however, this is exactly what contesters want, lots of people to contact in a short time frame. With lots of activity unusual propagation can sometimes be observed as there is more activity. When the band is quiet conditions may be good but if there is no-one transmitting at the other end, you’ll never notice the improvements. Personally, I have observed on 50Mhz, a Finnish contest station being extremely strong for over an hour, possibly ducting propagation.…if that station hadn’t been taking part the band would just have appear quiet and normal. With lots of stations on the air such anomalies can be seen
You don’t need lots of expensive, multimode equipment to contest, there are many different types of contests, for some you can use a small 2-meter FM hand held radio. You can slowly improve your station, starting with modifying simple bits and over time to more complex parts as your confidence, skills and technical knowledge improve over time
So, reasons to take part in RSGB contests include:
• Improved Skills: Contesting makes you a better operator in every aspect of the hobby, including in fast-paced scenarios. Having over well over 200 stations taking part throughout the UK and some parts of Europe gives you chance to test and compare any changes you have made to your station.
• Technical Advancement: It serves as a driving force for improving station configurations, antennas, and transceiver performance.
• Increased Activity: It offers a way to work many stations or new countries in a short period, enhancing your DX capabilities.
• Club and Social Engagement: Many contests, such as the UKAC's contests, encourage team participation, supporting local radio clubs.
• Variety and Flexibility: From quick 90-minute weekday evening sessions (often aimed at newcomers) to full weekend events like the Commonwealth Contest, there is something for everyone. There are contests for all types of equipment from low power and single aerials to very high power and multiple aerials, also there are contests for different modes: - Speech, Morse code, Digital, even bouncing signals off the moon!!!!
• Learning Opportunities: Using computer logging software and mastering operating techniques makes the hobby more efficient and rewarding.
• Lots of contacts in 2 ½ hours: Like many people, it can be difficult to find time for hobbies. One great benefit of contests is there are many stations on the air at the same time to contact. Also, you don’t have to live anywhere exotic, there are other stations that want to contact you too! Some people like operate portable stations on hill tops, so even if you live in the bottom of a valley, during a contest you are very likely to hear stations much further away than you normally would.
• Make new friends: Contesters are a friendly bunch, even though you are competing against each other there is always someone to help or give advice to others.
If any of this has made you curious or sparked an interest, please get in touch with the club. People from all backgrounds, ages, ability and experience are always welcome . You can come and observe a club member taking part in a contest, help out or even take part in a contest as a team. We’d love to hear from you.
Continuing the theme of high‑performance stations within the club, we come to Ian—another major operator and a big hitter in his own right. When operating portable in the hills near Ashbourne his station is built for serious VHF performance with a strong focus on clean signal handling, low‑noise reception, and fully sequenced protection.
Ian’s Portable Station Setup
At the heart of his system is an MFJ 12‑element LFA Yagi mounted on a 7‑metre boom, giving excellent forward gain and superb side‑lobe suppression—ideal for digging out weak signals. This antenna is lifted by a Clarke 12 m pneumatic mast, providing both stability and rapid deployment.
Rotation is handled by a Yaesu G‑600 rotator, giving smooth and reliable azimuth control.
Mounted at the top of the mast is an Antenna Amplifiers EME3 low‑noise preamp, improving receive performance before any feedline losses occur. From the preamp, the system splits:
LMR‑400UF for the transmit path
RG‑58 for the receive path
Both of these routes are coordinated by a home‑brew sequencer to ensure proper timing—protecting the preamp and ensuring seamless TR switching.
On the audio side, Ian takes things seriously. A Datong FL3 audio filter shapes the received audio, and he operates using Sony headphones fitted with a Heil HC‑4 microphone element for crisp, contest‑ready transmit audio.
Rig control and digital interfacing are handled by an Xggcomms DigiMode‑4 interface, keeping the system flexible and fully PC‑controlled.
No overview of the club’s operators would be complete without mentioning G7EJO, Ian. He’s one of the club’s heavy hitters and an outstanding operator—well known not just for strong contest results, but for his constant support of newer members. Whether it’s offering practical advice, sharing tips, or giving you that gentle nudge in the right direction, Ian always makes time to help.
Ian’s Station Setup
Ian runs a clean and effective VHF contesting station centered around an 8‑element ZL‑Special mounted on a pump‑up mast. This gives him excellent gain and directivity while keeping the deployment quick and manageable.
A rotator controlled via PstRotatorAz gives him precise azimuth control from the shack, allowing quick swings during pileups or when hunting weak signals across the band.
For the radio side, Ian operates with an ICOM IC‑9700, fully controlled from his PC using wfview. This setup gives him the best of both worlds: a high‑performance VHF/UHF transceiver paired with modern, flexible computer control—perfect for serious contesting and day‑to‑day operating alike.
Compared to larger club stations, my own setup is a comparatively modest one—but it’s tailored specifically to suit my hearing loss, and that’s what makes it truly effective for me.
My antenna is a Dual 144 MHz 11‑element Yagi, mounted on a 6 m scaffold pole. From the antenna, the feedline runs down into an SDR switch designed by N2EME, which allows the receiving path to go into an SDRPlay RSPDx while the transmitting path is handled by an ICOM IC‑7000.
This hybrid SDR/traditional radio approach has become essential for me. With almost complete hearing loss in my left ear and persistent tinnitus in my right, listening through the noise floor of a conventional radio can be exhausting. Using SDR Console, I’m able to see signals instead of relying purely on audio. Waterfall and spectrum displays give me visual cues that help me detect weak stations that I might otherwise miss entirely.
It’s not the most powerful setup in the contesting world, but it works exceptionally well for me—and more importantly, it keeps radio enjoyable.
The first set up I used was an ICOM IC-706 MK1 with a home brew 2m Dipole mounted on a 3m length of electrical conduit which was rotated by hand. I got 10 contacts on my first contact and was very pleased with the result.
To kick off this mini series of articles, the aim is to highlight the vast differences between contesting setups—from the complex to the simple—and explore why each operator chooses the equipment and configurations that best suit their style of operating.
Starting Point: The Club Portable Station – G3NFC/P
The G3NFC/P station is a great example of an efficient, practical portable contesting setup. The entire station is operated from the back of a van, which tows a trailer‑mounted Mobile Versa Tower mast capable of reaching heights of up to 10 m.
For 2‑metre operation, the station typically uses either a single Cushcraft A147‑10S 10‑element Yagi or a stacked pair, depending on conditions and contest requirements. These antennas are mounted on an Emotator rotator, with full rotation control handled via computer software for smooth, precise aiming during contests.
At the heart of the station sits the ICOM IC‑705, providing reliable all‑mode capability. The entire setup is powered by a trusty Lidl generator—simple, portable, and more than capable of keeping everything running throughout a contest session.
Well done team, good result this month, we've getting up the table, its a big step fro the next position.
October's QSOs from G3NFC.
September's QSOs from G3NFC